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Poor Peter Parker... |
One Moment in Time required several sequences that not only referenced earlier issues of
Amazing Spider-Man, but overlapped them, almost line for line. The effect we had hoped for—a clean and clear transition between old and new art—wasn't completely successful. My art was not enough of a contrast with Paul Ryan's pencils and Vince Colletta's inks, especially with updated coloring.
On this page, we took the story in a different direction in the final panel, which required an original composition, not to mention a new shot of the Brooklyn Bridge. As I often do, I leaned on Google's
3D warehouse to find an appropriate model.
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Layout. Pencil on paper, 4 × 6″ |
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Digital composite, including panels from ASM Annual #21 |
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Pencils |
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Inks |
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Amazing Spider-Man #638, Page 31. 2010.
Ink on Marvel board (with digital color), 11 × 17.25″.
Original Art
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Wooow great job waiting the new movie of Spiderman...
ReplyDeleteThanks!
DeleteI am fascinated by the images of the blog ... are amazing, also seems very difficult to draw spider man....thanks
ReplyDeleteThanks! Spidey's always a blast to draw.
Delete